Tag Archives: Adobe

Why Doesn’t FCP X Support Image Sequences for Time Lapse (among other reasons)

In the process of putting together a number of tutorials on time lapse (particularly stabilizing it), I discovered that FCP X does not import image sequences. If you import 1500 images that have a name with sequential numbers, it imports them as 1500 images. This is a pretty huge fail on the part of FCP. Since it is a video application, I would expect it to do what every other video application does and recognize the image sequence as VIDEO.  Even PHOTOSHOP is smart enough to let you import a series of images as an image sequence and treat it as a video file. (and, no, you should not be using the caveman like video tools in Photoshop for much of anything, but I’m just sayin’ it imports it correctly)

There are ways to get around this. Mainly use some other app or Quicktime to turn the image sequence into a video file.  I recommend shooting RAW when shooting time lapse,  so this means you have to pull the RAW sequence into one of the Adobe apps anyways (Lightroom, After Effects, Premiere) for color correction.  It would be much nicer if FCP just handled it correctly without having to jump through the Adobe apps. Once you’re in the Adobe system, you might as well stay there, IMO.

No, I’m not a FCP X hater. I just like my apps to work the way they should… just as I tore into Premiere and praised FCP for their .f4v (Flash video) support in this blog post.

Time Lapse image sequence in Final Cut Pro failing to load as a single video file

 

What’s wrong with this picture?

Nvidia GeForce GTX 570 in a Macintosh

All the speed tests we’ve done with Beauty Box on Windows show the Nvidia GeForce video cards to outpace their much more expensive cousins, the Quadros, significantly. A GTX 570 (~$270) is about 25-30% faster than a Quadro 4000 ($800).

Since Beauty Box can involve some render time, we’ve wished that Apple would authorize one of the newer GeForce cards for the Mac. No such luck. So we’re tired of waiting. We took a stock PNY GeForce 570 and put it into our MacPro. And lo! It works!

So… what’d we do and what are the caveats? This was not a 570 with ‘flashed’ ROM. This was just a straight up 570 which we use in one of our PC machines. Nothing fancy. We did need to download a few things:

– Latest Nvidia driver for the Mac, which can be found here: http://www.nvidia.com/object/macosx-304.00.05f02-driver.html

– Latest CUDA drivers for the Mac, which can be found here: http://www.nvidia.com/object/mac-driver-archive.html (as of this writing, v5.0.37 was the latest)

– If you’re using Premiere you need to update the cuda_supported_cards.txt file to add the name of the video card. In this case it would be: ‘GeForce GTX 570’  To do this, you need to go to the Premiere.app file, right+click on it and select ‘Show Package Contents’. Once you do that, this is what you’ll see:

CUDA nvidia opencl adobe premiere macintoshOnce that’s done, you are good to go!

Now that caveats…

Continue reading Nvidia GeForce GTX 570 in a Macintosh

Evil Geeks vs. Evil Marketers

I’ve always said that I’d prefer to have an Evil Geek (Bill Gates) rule the world instead of an Evil Marketing Guy (Steve Jobs). Sort of like the difference between having the nerds or the cool kids run your high school. And sure enough, now that Steve has a dominent platform, he’s running it like the cool kids would.

I mean seriously. Geek evil is sort of like ‘pinky and the brain’ evil. Yeah, they might take over the world, but that’s what they plan every night. And even if they succeed, all they’ll end up doing is having chair jumping contests and all night Star Trek marathons (how else do you explain much of Microsoft’s software?)

Marketers, like Steve, are different.

Continue reading Evil Geeks vs. Evil Marketers

Photowalkin’ (and camera lenses)

Yesterday, I joined Photoshop product manager Bryan O’neil-Hughes for his Photowalk. This was part of the effort by NAPP to get folks out and taking pictures. There were photowalks all over the nation because of this.

It’s a pretty cool idea and was great fun. Adobe rockstar Julieanne Kost joined us along with a few other Adobe folks. The walk itself was fairly short in length and mostly went a few blocks around the Adobe campus in San Jose. You’d be surprised at how long it takes for 50 photographers to go a few blocks. In any event, this led to many photos of the Adobe building (there also seemed to be a good deal of photographers taking pictures of photographers).

Adobe through the leaves

When you go on walks like this, it’s interesting what your choice of lens does to your photos.

Continue reading Photowalkin’ (and camera lenses)

The Demise of Adobe

… has been rather exaggerated. Ok, way over-exaggerated.

Layoffs happen at big companies. When things are great you tend to hire based on great expectations. It’s better to have too much capacity and grow into it than to be overwhelmed. The flip side is when things slow you need to trim down and unfortunately, that means layoffs. An 8% reduction in workforce really isn’t something that should be seen as that concerning. At least, from an end users perspective… for the folks getting laid off… yeah, it sucks. Although Adobe has been known to give nice severance packages.

Adobe laid off 150 people in 2001, and Macromedia laid off 170, which was 10% of the staff at the time (which was partially because of a merger, but if things had been booming I don’t think it would have been nearly as high). So layoffs are hardly unprecedented. If Adobe and Macromedia survived the dot.com implosion, I’m sure they’ll do ok this time around.

The other factor in all this is that it’s incredibly difficult to get loans or other financing right now. You would think (and this is WHOLE other rant) that with the banks getting all this taxpayer money they’d be back in business making loans. But no. Things are tighter now than they were 6 months ago.

So… companies like Adobe really need to conserve the cash they have on hand. They don’t have as much flexibility in ‘waiting and see’.

This was, at least from Adobe’s perspective, a smart and necessary thing to do. Digital Anarchy is dependent on Adobe products, and I’m not reading anything into this other than just the normal reaction to the reduced expectations that happen in a recession (We’ve been in one for about 9-12 months at this point).

For Digital Anarchy, we’re proceeding much like Adobe (minus the layoffs… we don’t have enough people as it is :-), cutting the costs we can and continuing to release products. We’ve got four products on schedule to be released over the next 3-4 months. With any recession you can’t stop investing in new products, but you do need to watch your costs very carefully. That’s all Adobe is doing.

cheers, Jim

—————————-
Jim Tierney
www.digitalanarchy.com
Digital Anarchy
Filters for Photography & Photoshop
f/x tools for revolutionaries
—————————-

Adobe CS4 Launch Event

Went to the filming of the Adobe launch event on Monday which was interesting. I’m not exactly sure who it was aimed at or what the purpose of it was, but I can’t say I was overly impressed by it. The products are cool enough with some great new features, but the event was trying too hard to be Oprah or something and just didn’t work. It would’ve been better if they’d filmed the hipster designers talking about some cool project they’d used CS4 on and showed the clips instead of having said hipster designers come on stage and fumble through a product demo. Ben Grossman from the Syndicate did a good job, but he didn’t talk about his stuff, just the standard Adobe demo material. I would’ve been much more impressed by a 3-5 minute clip of him showing where CS4 was used in the Radiohead video.

Then again, I’m just a jaded and cranky plugin developer. Maybe it worked for everyone else. ;-)

Continue reading Adobe CS4 Launch Event

Party on @ Adobe Creative CS4 launch

Yesterday I went with Jim Tierney, our company president, to the Adobe CS4 Launch event. It was at Adobe’s headquarters in San Francisco, which is where our Digital Anarchy is based also, and perhaps 150 folks were there. Market leaders like authors and studio heads and — ahem — software folks like us. The slogan of Adobe Creative Suite CS4 is ‘Shortcut to Brilliant’ and the theme of this CS4 event was the three categories of improvements that CS4 brings: time-savers, integration and innovation.

The presentations were done really well. All of the presenters were polished and practiced but they seemed to ad-lib just enough to make their words feel real. After two well-chosen talking heads, ‘real’ users like designers and editors came onstage to show off what they’ve done in a week with their new CS4 tools. As the application and media changed, so did the lighting, so for the Photoshop presentation, the lights were blue. For Illustrator and web/interactive design, everything was red. I liked the mood that was set and the enthusiasm was high but not artificially so.

An interesting tidbit from the keynote speaker was that there are over a billion consumers worldwide who will never use a computer to connect to the internet. Their online connection is a mobile device. Makes sense when you count emerging but still rural markets like Africa and India but really, I hadn’t thought about how digital practices differ through the world. The speaker’s point was that this is why the flexibility of the end graphical product is so important now.

On to the Adobe software…

For the Photoshop CS4 presentation, which is what Digital Anarchy now focuses on, the discussion was mainly tool driven. There is a 3D panoramic stitcher that looked pretty cool though I must admit that I haven’t yet explored CS3’s stitching features. Adobe has added content-aware scaling, which decides upon and eliminates unimportant details for smarter scaling.

I was more impressed by the overall integration (yep, one of the three featured topics of the event) within the CS4 suite. Really it seemed to me that many of the strong features of certain apps have been propagated over to other apps, and often that cross-ventilation seems to be with formerly Macromedia functions.

For instance, Illustrator now has a Blob brush that lets you draw and editvector chunks in exactly the same way that Flash always has. Illustrator also FINALLY has the multi-page capabilities that Freehand did over a decade ago. And Flash’s new timeline and inverse schematic animation reminds me a lot of After Effects functionality.

Fireworks was also pretty impressive. I remember hating that app years ago when I taught web design because it felt very isolated from any true workflow. Now Fireworks can baton twirl in utter sophistication with Photoshop and it even saves out interactive PDF’s.

Well, that’s my round-up for now. I can’t wait to sink my fingers into Photoshop CS4 this week. The event presenters were lauding Adobe.tv as the place to go for free training and I intend to check out that site.

regards -Debbie

Today’s Blog Brought To You By The letter “A”

Random thought of the day as we get ready to release our first product for Avid

I find it odd that the four major companies in our industry all start with an ‘A’. Adobe, Apple, AutoDesk, and Avid. It makes me miss the Discreet name even more. I still think it was an idiotic move to kill the Discreet brand… one of the best brands the industry has ever had and they punt it. Dumb. “Autodesk Entertainment and Media” just rolls off the tongue like a dead moose and invokes the image of legions of corporate AutoCad drones creating PowerPoint presentations that get turned into YouTube videos. mmm…. exciting.

Anyways… moving along before I get kicked out of AutoDesk’s developer program…

Actually that’s enough random thoughts for one day.

cheers, Jim

On The Subject of NAB (and Avid)

Now that Avid has pulled out from NAB and won’t be exhibiting in 2008, here have been a lot of users and other folks wondering what it means and what the industry thinks of it. the immediate reaction of the entire industry was to exclaim, “No shit?” and 2.3 seconds later, after the full import of what that meant hit them, was to call their NAB sales rep and promise all manner of favors if they could move their booth to front and center of the show floor.

Since I’m hardly above such things (”I was young and poor and needed the booth space”), I joined in, attempting to move our Plugin Pavilion into the now vacant space of the Avid Developer Community booth. I even had the person from Avid that managed the ADC to call NAB on our behalf. All that got me was a terse email from our NAB rep saying we would definitely NOT be getting it. It’s the new sport in HD, groveling for Avid’s booth space. Look for it on the LVCC cafeteria monitors (instead of the usual strip club ads).

Continue reading On The Subject of NAB (and Avid)