In late July, we released Primatte Chromakey 3.5, a terrific update for using our greenscreen masking tool in Adobe Photoshop CS5 and 64-bit native operation. Also in July, a terrific article appeared in Post magazine about how to set up for greenscreen. The article is ‘The Keys to Shooting Greenscreen’ and it’s written by one of my favorite industry writers, Randi Altman, who is also Post’s editor.
Randi’s topic is really about greenscreening for video and film (with specs like HDCAM and 35mm/24fps) since Post is a broadcast media publication. However, her sage advice is completely applicable to working with photographs and other still images.
Since one week is a decade in internet time, I’m seeing this February post about green screening an eternity too late. But I still think it’s interesting, as is most of the stuff that I find through BoingBoing.net. The movie shown below is the 2009 Virtual Backlot Reel from StargateStudios.
It’s fascinating — and maybe a bit disturbing — to realize that mundane scenes in TV shows are now regularly treated as visual effects events. Digital Anarchy first developed Primatte Chromakey, our Adobe Photoshop plugin for green screen masking, in mid-2005. At the time, we had to spend a lot of time simply explaining to photographers what ‘green screen’ meant. Five years later, green screen is a recognized entity with information accessible on non-pro sites like ehow.com. The convergence continues!
Joe Farace lights up the room in two ways. He is a talented photographer, writer and teacher whose emails end with catchy signatures like ‘It’s 2010 and the Big Bang never ended’ or ‘Saving the world, one pixel at a time’. He is also an expert on lighting and imaging techniques for photographers.
Recently, Joe showed me a photo composite that he created while writing one of his upcoming books. The image was masked with Primatte Chromakey, our blue / green screen Adobe Photoshop plugin.