We here at Digital Anarchy want to make sure you have a wonderful Christmas and there’s no better way to do that than to take videos of family and colleagues and turn them into the Grinch. They’ll love it! Clients, too… although they may not appreciate it as much even if they are the most deserving. So just play it at the office Christmas party as therapy for the staff that has to deal with them.
Our free plugin Ugly Box will make it easy to do! Apply it to the footage, click Make Ugly, and then make them green! This short tutorial shows you how:
You can download the free Ugly Box plugin for After Effects, Premiere Pro, Final Cut Pro, and Avid here:
There’s been some talk of the eminent demise of the Mac Pro. The Trash Can is getting quite old in the tooth… it was overpriced and underpowered to begin with and is now pretty out of date. Frankly it’d be nice if Apple just killed it and moved on. It’s not where they make their money and it’s clear they’re not that interested in making machines for the high end video production market. At the very least, it would mean we (Digital Anarchy) wouldn’t have to buy Trash Can 2.0 just for testing plugins. I’m all for not buying expensive machines we don’t have any use for.
But if they kill off the Mac Pro, what does that mean for FCP X? Probably nothing. It’s equally clear the FCP team still cares about pro video. There were multiple folks from the FCP team at NAB this year, talking to people and showing off FCP at one of the sub-conferences. They also continue to add pro-level features.
That said, they may care as much (maybe even more) about the social media creators… folks doing YouTube, Facebook, and other types of social media creation. There are a lot of them. A lot more than folks doing higher end video stuff, and these creators are frequently using iPhones to capture and the Mac to edit. They aren’t ‘pro editors’ and I think that demographic makes up a good chunk of FCP users. It’s certainly the folks that Apple, as a whole, is going after in a broader sense.
If you don’t think these folks are a significant focus for Apple overall, just look at how much emphasis they’ve put on the camera in the iPhone 6 & 7… 240fps video, dual lenses, RAW shooting, etc. To say nothing of all the billboards with nothing but a photo ‘taken with the iPhone’. Everyone is a media creator now and ‘Everyone’ is more important to Apple than ‘Pro Editors’.
The iMacs are more than powerful enough for those folks and it wouldn’t surprise me if Apple just focused on them. Perhaps coming out with a couple very powerful iMacs/MacBook Pros as a nod to professionals, but letting the MacPro fade away.
Obviously, as with all things Apple, this is just speculation. However, given the lack of attention professionals have gotten over the last half decade, maybe it’s time for Apple to just admit they have other fish to fry.
For whatever reason I’ve seen several articles/posts over the last few days about whether you can be a photo/videographer with a camera phone. Usually the argument is that just because the iPhone (or whatever) can take the occasional good video/pictures, it doesn’t make you a good videographer. Of course not. Neither does a 5Dm4 or an Arri Alexa.
But what if you have a good eye and are a decent videographer? I think a lot of the hand wringing comes from people that have spent a lot of money on gear and are seeing people get great shots with their phone. It’s not going to change. The cameras in a lot of phones are really good and if you have a bit of skill, it can go a long way. You can check out this blog post comparing the iPhone’s slow motion video capabilities to a Sony FS700. The 10x price difference doesn’t beget a 10x quality difference.
There is obviously a place for long or fast lenses that you need a real camera for. There are definitely shots you won’t get with a phone. However, there are definitely shots you can get with a phone that you can’t get with your big, fancy camera. Partially just because you ALWAYS have your phone and partially because of the size. Sometimes the ability to spontaneously shoot is a huge advantage.
Then you add something like Dave Basaluto’s iOgrapher device and you’ve got a video camera capable of some great stuff, especially for stock or B roll.
There are issues for sure. Especially with these devices trying to shoot 4K, like a GoPro. It doesn’t matter how well lit and framed the shot is because it’s often got massive compression artifacts.
Overall though, the cameras are impressive and if you’ve got the skills, you can consistently get good to great shots.
What’s this got to do with Digital Anarchy? Absolutely nothing. We just like cool cameras no matter what form they take. :-)
(and, yes, I’m looking forward to getting the new 5D mark4. It was finally time to upgrade the Digital Anarchy DSLR)
Wherein Jim Tierney rants and opines about After Effects, Premiere Pro, Final Cut Pro, and other nonsense